Archive for November 2009
After several weeks of listening to the Freelance Whales debut album “Weathervanes,” I was hooked, but had to eject the CD on occasion to make sure I wasn’t listening to Death Cab for Cutie or The Postal Service.
The indie underground group out of Queens seemed to have harnessed the soul of Ben Gibbard and perfected its essence in their own music stylings.
Having gone to school with the Freelance Whales’ drummer Jake Hyman in London, my brother got us into a recent show in Denver as the group, which just formed in late 2008, is trekking across the country in support of their new LP.
After seeing the band live my opinion of their music has changed quite dramatically. While the comparisons between their music and Death Cab’s is undeniable, their unfettered child-like exuberance on stage added new depth and meaning to their music.
The five member group delved into an extensive set where they each played so many instruments in so many different manners that I couldn’t keep track of who was playing what.
Instruments, in addition to the conventional guitars, I noted were: synthesizers, banjo, tambourine, harmonium and a garden watering can.
Aside from the fact that the band members are all around adept musicians, the lyrical styling of lead singer Judah Dadone is sublime.
On Broken Horse Dadone’s hauntingly sings “that curve in your spine a question mark a doctor sign was framed by the windowsill and you saw something I did not end that night you saw something I did not end that night.”
Watching FW live adds a degree of depth to the music inaccessible just by listening to the album alone. There is much more to this young group than meets the ears. I don’t expect them to still be unsigned next time they come through Denver.
Sputnik Music gives the album a 4.0 (excellent) rating writing:
“Freelance Whales’ Weathervanes is the creation of an unknown band that deserves to be heard and possibly accessed with the most promising of 2009’s music.”
Sterogum dubbed them a band to watch last month writing:
“Turns out FW are way out of step with the dominant trend of ’09, and more in line with what the non-Gang Of Four appropriating wing of indie music was fixated on a few years ago”
You can’t beat free.
Wednesday I was watching the trailer for “The Road” by Brandon Gust, which featured the song “The Smallest Piece” by Ki:Theory as the soundtrack.
Liking the song I instantly Googled the band and found their respective webpage page. There I was prompted to enter my e-mail address for a free download, which I did.
I anticipated getting one track, so I was surprised when I opened the download to find the entire “Arms For Legs (Autumn Edition)” album. I immediately cued it up and listened to what is a great progressive album.
Ki:Theory can be describe as an ambient melodic band that composes such harmonious songs that you can’t help but hum along to.
From the band’s blog:
“Ki:Theory (a.k.a. Joel Burleson) lives in Richmond, VA by choice. He makes glitchy cut-n-paste songs and sings along to them. He did not go to school for this. He and his band (Ash Bruce) have toured nationwide US, Japan and Korea. He’s done remixes for Ladytron, UNKLE, Sasha, Queens Of The Stone Age, and Brazilian Girls. He continues to make music that he likes to hear in hopes of creating something that others might like to hear.”
Check them out for yourself here.
When I heard a few months ago that Dave Grohl, of the Foo Fighters and Nirvana, Josh Homme, of Queens of the Stone Age and Eagles of Death Metal, and John Paul Jones, Led Zeppelin, were combining forces to create a band I was skeptical at the very least.
Frankly, it seemed too good to be true.
Well not only is it true, but the group called Them Crooked Vultures let loose all 12 songs in their entirety on YouTube.
The end result is a thick album full of beefy riffs and chunky beats courtesy of Grohl. While each member’s perspective style seeps through the hard rock album, I hear more QOTSA than anything here. Perhaps that is because a large share of the vocals are Homme’s.
Of the 13 spectacular tracks, the first single, “White Fang,” stands out as the best with a monster beat, thundering bass and slightly distorted vocals.
Hear the album, which comes out Nov. 17, here.